Young Livers - The New Drop Era

Young Livers - The New Drop Era
No Idea Records



Young Livers are from Gainesville. Young Livers have a record on No Idea. They are inspired by Hot Water Music. That should be enough to really tell you all you need to know about this record. But, in the sake of fairness, I'll go into a bit of detail.

This 8 song EP (?) definitely flew under my radar in 07, despite a lot of people telling me about them, and doing a string of dates with Jena Berlin. I missed them at Fest, and didn't really give their record the attention it deserved until pretty recently. As I said above, there is a definite Hot Water vibe at times, but overall it's a bit faster and darker than Hot Water Music. There are pretty much two consistently different guitar parts throughout, and octave leads and feedback builds give it a deep, dark feeling. The bass is fuzzy, but plays a strong role in the atmosphere of the album.

Vocally, it's the gruff, cigarette and whiskey school of vocals that No Idea is famous for, with a very heavy edge. At times, the vocals remind me of Damian from As Friends Rust (especially in "Drinks are Our Amnesty") in both tone and delivery. There's a sense of urgency and bearded tension throughout as vocalist try to top each other for volume and gruffness.

This band definitely appears to be road warriors, so I'm sure they'll be around soon. Their newest tour doesn't seem to come too close to Philly, which is a bummer, but I'll have to find a way to see them soon. This is a solid debut, certainly worthy of coming out on No Idea and catching a good amount of praise.

Able Baker Fox - Voices

Able Baker Fox - Voices
Second Nature Recordings



If you know me, by now I've probably talked to you about about this record. Voices is the first release from Able Baker Fox, a supergroup of sorts, comprised of members of The Casket Lottery and Small Brown Bike. Mike, Ben, and Jeff from Small Brown Bike have joined up with Nathan from the Casket Lottery to release a record that sounds enough like their old bands to warrant a comparison, but distinct enough to be a great record on its own.

Voices was written and demoed via mail and though digital recordings made in Missouri, Michigan, Illinois and New York. The band finally all got together in 2007, had a 10 hour practice, and then spent four days recording. For a record written over such vast distances and a long time frame, their is a strong sense of cohesion and a true band feeling.

Multiple vocal parts fill every song, with three different singers trading lines, verses and choruses. Textured guitars weave in and out of one another, and while there's a feeling of melody, it never really gets too clean or polished. There's a steady feeling of gruffness and edge. Dynamics really vary, as is expected from a band with this pedigree, and the vocals really push a lot forward. Personall, I'm definitely glad to hear Mike Reed singing for another band like this, as Small Brown Bike was a band I respected a lot, and really inspired me at Fest.

Overall, I can't say enough good things about this record. I wish that I could make it out to Chicago to see them Saturday with Hot Water Music, but I guess I'll have to use the LP as a substitute. I'm hoping that we see enough of this band for a second full length. This record was put together with one real practice; I'd be amazed to see what they could do if they all moved to the same state.

Lemuria - Get Better

Lemuria - Getter Better
Asian Man Records



"You never missed a word I tried to fit inside a chorus, inside a verse, all my intros and a bridge. That's where I put all the awful things I think I am, and if you still respect me I guess I'll have a second chance."

These lines open up Lemuria's debut full length, Get Better, and really set the tone for the overall feel of the album. I'd been hearing a ton about this band in late 2007, but I kinda slept on them. I'm not totally sure why, but I'm really regretting it now. I finally got into them, and I'm definitely glad I did.

Lemuria is a pop/rock/emo-ish band with co-ed vocals. The majority of the vocals are handled by Sheena, but there are male vocals from the drummer and bassist (Alexander and Jason, respectively). I hate to say it, as I'm not always a huge fan of girl singers, but Sheena's really draw you in and make this record a lot more interesting. The male vocals seem uninspired and bland. While Sheena's vocal patterns can get stale at times (see: chorus to "Hawaiian T-Shirt"), she has a way of turning a phrase and making something so simple get stuck inside your head for hours. I found myself singing the chorus of "Lipstick" between classes at work the other day. Glad my kid's didn't catch me singing "Maybe I should wear lipstick too." And while the chorus of that song is what really hooks you, the verse lyrics are simple, yet sad and something that I think a lot of us can relate to, male or female.

Overall, the jangly guitars, sweet female vocals, and simple, yet heartfelt lyrics make this a great power-pop record, that is definitely deserving of the hype. I'm kicking myself for sleeping on this band for so long, and it's definitely time for me to start delving into the back catalog of splits, 7 inches and comp tracks to really see what else this band has delivered. I suggest you do the same.

Hot Water Music - Till The Wheels Fall Off

Hot Water Music - Till The Wheels Fall Off
No Idea Records




Hot Water Music is easily in my top two bands of all time. When I first heard Forever and Counting when I was in tenth grade, I was hooked. The dual gruff vocals, melodic yet aggressive guitars, and tight rhythm section. The lyrics that focused more on the personal politics and the world around you. This was everything punk rock should be, and I've tried to include at least something from Hot Water Music into every band I've been i. wwhwmd?

So, as you can imagine, when Hot Water Music announced their hiatus, then subsequent break up, I was crushed. I owned everything they released (aside from one full length). I have a Hot Water Music chest piece. Unfortunately, for whatever reasons, I only got to see them a handful of times, which was something I've always regretted. When I heard they were finally releasing a last b-sides collection, AND playing shows, I was beyond stoked.

Reading below will give you a review of the show, but here I'll talk about the new collection/record. This a collection of random splits (Alkaline Trio and Leatherface), 7 inches, EPs (Moonpies for Misfits), comp tracks, and a handful of random covers. It kicks off with "Kill The Night" and the line "It's hard to rest right with a different pillow every night, still I close my eyes and dream I'll make it home." This song almost made Chuck decision to leave the band blatantly obvious. Either way, it's a great song in the later style of Hot Water Music.

From there, the first major batch of familiar songs is the split with Alkaline Trio. "God Deciding" is easily one of the best Hot Water songs, and the two covers of the Trio are both fantastic. I still have memories of walking home in the snow during college on a bleak day, and Chuck's version of "Bleeder" seemed to be the perfect soundtrack for the moment. Straight from this, the songs from the Leatherface split come on. These are some of the best HWM songs in my opinion. The vocals are as husky as they get, and the lyrical content deals with struggle, and having the strength to overcome. "Take It As It Comes" is yet another of my favorite HWM songs.

After this comes three covers by Government Issue, Midnight Oil, and Turbonegro. All are great, even though the Turbonegro song was a definite surprise. The Moonpies for Misfits EP follows, which is an old favorite of most HWM fans. The collection ends with four outrageously solid covers: The Circle Jerks ("Wild in the Streets"), The Boss ("No Surrender"), and The Clash ("The Clampdown"). Most importantly, and my personal favorite of the bunch, is "Springtime" by Leatherface. This was on the Live at the Hardback release, and I always loved it. It's nice to hear a proper studio recording, and they certainly do it justice.

Overall, even though it's not new, and I've heard a lot of it, it's nice to have it all in one place and to have all of the covers. Hopefully this reunion isn't fleeting, and we'll have more new music from Hot Water Music.

The Loved Ones - Build and Burn

The Loved Ones - Build and Burn
Fat Wreck Chords



After a major lineup shakeup that had the ever lovable Spider leaving, and Chrissy and Dave from The Explosion joining, The Loved Ones find themselves releasing their second full length for Fat Wreck and striving for rock and roll (not punk rock) greatness. Do they achieve it? Well, sort of.

There's always been that rock and roll element to Dave Hause's songs for The Loved Ones. Over the years and releases, from the demo until now, this has grown and grown. Build and Burn, their latest, is full of basic rock and roll structures, less distorted guitars, and far more instrumentation. They split their time between two studios for this record, but there was a lot of time spent with members of The Bouncing Souls and The Hold Steady (with two members lending guitar solos, as well as keys, saws, and other instruments to the mix). The overall effect is a very rock and roll, "Americana" record.

There's a good deal of storytelling, as opposed to more personal lyrics, which adds to the Springsteen vibe that oozes from this record. Songs like "The Bridge" and "Sarah's Game" both tell stories of "everyday" people and the trials and troubles that they face in their lives, and the toll that these lives take on them. "Louisiana" is a straightforward rock song that details the plight of people in New Orleans following Hurricane Katrina and the difficulty of rebuilding their lives, through the metaphor of pounding nails and physical construction.

Despite "Louisiana" being the strongest Dave's voice has ever sounded, it does showcase one of the biggest problems with this record - the repetition of lyrics and overall limitation of Dave as lyricist. Even with one listen, it's obvious that there is a continuation of lyrical "themes" or "motifs" from song to song with "keep your heart" and "build and burn" (as well as ideas of sandcastles). Part of me sees what Dave is doing and how there is a connection through all of their songs and albums. But, at the same time, part of me feels like this is a limitation that he's still not quite over in his songwriting (as shown by using two old Curse songs to fill out the first full length).

Dave and the Loved Ones can write a damn good rock and roll song, not just good punk rock songs. At the same time, I feel like they're capable of so much more. There are great lyrics on this album, and then there are songs that make me scratch my head and think "Didn't I already listen to this song?" You can portray a theme without beating your listener over the head with it.

Overall, this is a damn good record and I enjoy listening to it, but it already has me wondering what their next full length will be like. Let's hope they hit that rock and roll masterpiece that they're shooting for. Until then, this record will still get a lot of spins from me.

Paint it Black - New Lexicon

Paint it Black - New Lexicon
Jade Tree / Rivalry Records



New Lexicon is Paint it Black's third full length, and the first great record of 2008. Early last year, they played a secret show at Disgraceland and played a set consisting of only new songs, which showcased a more melodic, yet somehow more brutal side of Paint it Black. Over the next few months, a few more songs were worked into their live set, and "Past Tense, Future Perfect" was released by Jade Tree online. This is an album that a lot of people have had high expectations for, especially considering some of the advance hype on it, and it definitely meets all of them.

A large part of what makes this album so special is the production. All live instrumentation and vocals were done by J. Robbins, so you know they sound great. The bass tone is especially outrageous. Dan had mentioned that they were going for a very Bad Brains feel with a heavy as hell bass tone, and this is definitely achieved. After J. Robbins did the groundwork tracking, Oktopus from Dalek stepped in to add his touch to the record. Because of this, the record is full of ambient effects, spacey interludes, feedback overlays and an overall chaotic/heavy feel.

Aside from the production, the songs are fantastic as well. Paint it Black has definitely hit their stride both musically and lyrically. Yemin's voice has never sounded better - angry and agressive. Lyrically, he gives a nod to the hip hop that he often talks about, with an abundance of well rhymed and clever lines. This isn't too say that he can't be straight to the point ("And that's as honest as I know how to be"), and "chronic defect in my head, I've got a chronic fuckin defect in my head" could be "Out of Step" for the 2000s. There are a great number of allusions to divinity, God, and what seems to be a pretty big struggle for Dan these days. The lyrical tone is definitely bleak, but with a sense of hope that keeps it from getting depressing.

I've already mentioned the bass tone, but this album has the best basslines Andy has played yet (see "Four Deadly Venoms"). Fast and aggressive, but with definite moments of melody that add a ton to the overall feel of the songs. Josh has some great, laid back spacey guitar parts that really give a new layer of atmosphere to the songs (end of "The Ledge" and intro to "We Will Not"). Jared makes you even forget that Wagz used to play drums in this band. To end the record, similarly to Paradise, there is a great sing along ending with "whoa-oh-ohs" coming from Jeff of Naked Raygun. Killer!

It was pretty ballsy of Paint it Black to give out 500 copies of this first weekend of the year, but you have to their admire their "Well, here it is: the best hardcore record of 2008" attitude. Not to mention just giving it away for free as a way to avoid the "commercialization of hardcore." Kudos.

Hot Water Music / The Lawrence Arms / Static Radio NJ - 1.25.08

Starland Ballroom
8PM

Heather, Mike, Kev, Jon and I all piled into Heather's tiny VW and made our way up to the bustling metropolis of Sayreville NJ for this show. We got there way early and got some sub par pizza, and got back to the show to get in as doors were opening at 7. From 7 to 8 we hung out in the bar and saw some friends. Adam and Jessi got there just before the first band started and fun and drinks were had.

Having just seen Static Radio NJ a few weeks ago, I wasn't overly interested in seeing them tonight, and once I heard the sound in that room, I didn't change my mind. At one point I asked Kev and Adam if they had a guitarist, because all we could hear from our vantage point in the bar was bass and bass drum.

Next, the Lawrence Arms hit the stage for their 940th show, or so they claim. As expected, Brendan was visibly drunk, and his on stage ramblings were even more ridiculous. They were sloppy and vocals were pretty off in spots, but I still really enjoyed them. You have to be prepared for that when you see the Arms. Their set was heavy on Oh, Calcutta, but they mixed in a few older songs. Lately I've been on a big Oh, Calcutta kick anyway, so I can't complain.

After a quick break, Hot Water Music appeared just before ten. They went right into "A Flight and a Crash," which is a great opener, even if the album of the same name is probably my least favorite Hot Water record. The set, especially at the beginning, was a bit heavy on newer songs, but they also worked in plenty of old favorites like "Better Sense," "Manual," "220 Years," "Rooftops," etc. They played 24 songs total (see set list below), including a four song encore after ending their set with "Turnstiles." The only major downside to the set was a stoppage that came in the middle of one song ("Swinger,' I think, but I could be wrong) when a fight broke out. As soon as that was resolved, they launched right back into the bridge and kept going.

Seeing Hot Water Music again after not having seen them in about six years was unbelievable. I go to see the Draft often, and I've seen Chuck acoustic, but neither really do it for me the way Hot Water Music does. It wasn't just like seeing the Draft plus Chuck. Everyone together was a totally different band. The energy level was higher and they seemed to be having a lot more fun than the last time I saw the Draft. By the end of it, everyone in the crowd and the band was soaked in sweat, and that's the way it should be at a Hot Water Music show. It's strange that a band can play a less than perfect set list, but the whole set can manage to be perfect in my opinion. If I never get to see Hot Water again (who knows?!), I'll be content with the last words that I heard them sing are on my chest. Live your heart and never follow.

Paint it Black / Hope Conspiracy / Have Heart / Damnation AD / Crime in Stereo / LetxDown / 1.6.08

First Unitarian Church
7PM

Heather and I got there late and missed Let Down (I heard they were the same as usual - fast, short, angry, edge), and Crime In Stereo (I heard, as expected, that the singer can't pull of the new songs). Luckily we were still able to get our copies of the "Goliath" 7 inch, which was going for over $50 on ebay later (not ours, other kids').

Damnation isn't my thing aside from huge amps. Neither are Have Heart. Kids do definitely go off for them though, and it's obvious that Philly is finally catching on to them being on of the biggest bands in hardcore.

Hope Conspiracy came out led by Kevin Baker (bearded, strongly resembling Leonidas from 300) and immediately kicked everyone in the room's ass. They sounded huge and totally ferocious for the entire 45 minute set. Old songs opened up huge pits, and anything from the new album ("BORING" proclaimed a heckler) got kids up front piling on. They ended with "They Know Not" which sounded strange as a closer and not an opener, but it was definitely great to see them back and in Philly. Hopefully it won't be four-five years until the next time.

Paint it Black played a similar set to the night prior, but opened with "Past Tense.." and played a few other new songs (including "Goliath"). They also didn't end with "Memorial Day" which was strange, but they were still fantastic. Yemin sounded a bit worn out from the night before, and his voice cracked often, which only added to the ferocity. Great end to the weekend.

Paint it Black / World Inferno / Marked Men / Dustheads / Amateur Party - 1.5.08

First Unitarian Church
3PM

I'm not going to go into too much detail on this shows, since I waited way too long to write about them, but this was a great weekend.

Amateur Party opened and were great as usual. Lots of new stuff, as with the FEST. They need to get into the studio soon and record some of these new songs, because they're really awesome. There was a noticeable lack of Mike McKee banter, which was due to the early timeslot on a packed show, but it was definitely missed.

Oh no, what's this? It looks like trouble! Dustheads played their biggest show in Philly to date, and it was great to see them get a good reaction. I've read that there was a lot of their NY fanbase there, but there were definitely a far amount of Philly kids going off for them. Snotty, fast, angry punk/hardcore. One of the best bands playing this style right now, and I hope to see them in Philly a lot more.

I'd never heard the Marked Men before this weekend, but they're a power pop/punk band from Texas that shares members with the Potential Johns, who rule. Their set was good although I knew very little about them and obviously knew no songs. They sounded good though, and lots of kids seemed into it, which is rad. Their set at the afterparty was supposedly a highlight.

World/Inferno Friendship Society was next and I couldn't care less. "Cabaret" punk? Get the hell out. Lots of weirdo kids with staches and neon were stoked. I was confused.

Finally, after darkening the stage, Paint it Black came out and got an insane reaction right out of the gate. Yemin was extra angry, Josh and Andy were all over the place, and Jared made everyone forget who used to drum for this band. They only played a handful of songs from the new album (two of the same ones from FEST and "Past Tense, Future Perfect"), but it was obvious that the free CD everyone got that day was going to be hard to top for 2008. The ended, as expected, with "Memorial Day" and the stage was packed with kids crowding around Yemin. Great ending to an awesome CD release show.

The Unlovables / Static Radio NJ / Order of Service / Algernon Cadwallader - 1.4.08

Disgraceland
7 PM

Disgraceland is one of the best kept secrets in Philadelphia. I'd only been there once before, even though they consistently have great shows. It's a small house somewhere in south Philly that I consistently forget the exact location of. It's a small corner rowhome that's been converted into a show space. The walls are covered in drywall and sound baffling that keeps it moderately quiet to the outside world, and because of the need to keep the neighbors happy, shows seem to run fairly close to on time. Not to mention that when you approach, it's kind of hidden and has that speakeasy feel to it, as Jon Loudon said.

Regardless, we got there and Algernon Cadwallader started close to 7:30. This was their first show (I think) with a new drummer since Nick moved to Boston, and they sounded good. I'm not too familiar with them other than the demo (do they have anything else?), but they played the dinosaurs song that I like, and otherwise sounded a lot like Cap'n Jazz. Which is a good thing. I want to say that more bands should rip them off, but I think most would do it in a shitty way, so it's better that just Algernon does. They have a lot of complex guitar tapping and interplay, paired with off-key sing-shouted lyrics. This band was riding the hype train in Philadelphia for a while, and even though it seems to have slowed down, they're still really awesome and I'm excited to hear the LP.

Order of Service set up next. For those familiar with the fest blog below, this is yet another band from Jeff Ziga and Scott from Amateur Party, as well as Drew from True If Destroyed (which Scott was also in with Jeff's brother John - confused yet?). They played angular indie rock/emo with a lot of dynamics between quiet and loud. There were some parts I really liked, and wished they kinda rocked more. I didn't like Drew's voice enough for the quiet parts to completely keep me interested.

Next, Static Radio NJ played. I think I saw them once a few years ago in Trenton with the Loved Ones and NMB, but I'm not totally sure. They sound like a solid Kid Dynamite influenced hardcore band. It was interesting to see them in Disgraceland, since in a few weeks I'll be seeing them with Hot Water Music in a much larger, less fun venue. The PA started to cut in an out during their set, but overall they were decent, and I'd be curious to check them out recorded to see if they're really just a Kid Dynamite clone, or if they can add something fresh to their interpretation.

The Unlovables were the final band to play, and they were damn impressive. They're a girl fronted pop punk band, in the same family tree as The Ergs! and The Steinways. They sounded tight and played a good, fun mix of songs from both of their full lengths. One song that was noticeably absent was the oft-requested "Ramona" from their Art of the Underground 7". Either way, they played almost any song I wanted to hear, and were super fun. I felt like such a dork, but watching Hallie sing these overly cutesy songs about boyfriends and making out and whatnot was just too much to not smile at. While when it comes to pop punk there are other bands I think I'd rather listen to (depending on my mood), I will definitely make it a point to go see the Unlovables any time they're in Philly or nearby. Too fun to miss.

After this show, lots of delicious Mad Mex was consumed. Swish!

The Loved Ones / Weston / Hey Angel / Ram and Ox - 1.1.08

North Star
9PM

Right around 9:30, Ram and Ox took the stage. This is the new(ish) band with CPM and Paul from None More Black. They play more straight up punk rock and hardcore than None More Black did, with a bit more thrash. Colin sings and is the only guitarist, with Paul handling backups. I really want to like this band because of how great NMB became towards the end, but overall I just can't get into it. Not really sure why. However, CPM definitely has some sweet gear/amps.

Hey Angel was next and played a bit more indie rock. Their guitar tones sounded awful and Joey's voice isn't really my cup of tea. They have some cool parts, but overall I can't get too into it.

Finally, Weston took the stage. I was never SUPER into them, but Got Beat Up is a great record that has gotten a lot of play from me. Unfortunately, the only other time I saw them was when they were trying to be serious and weren't fun at all. Luckily, this time they were hilarious and fun. They came out to the Rocky theme music, and started the song Got Beat Up after some on stage antics. They played a bunch of great songs, and had a lot of energy the whole time. I was getting nervous about not hearing some of my favorites, but in the last few songs, they hit "Retarded," "No Kind of Superstar," and ended with the 1-2 punch of "New Shirt" straight into "Heather Lewis." Wonderful ending.

After an extended pause that included a New Year's countdown from CPM, the Loved Ones came out dressed to the nines to celebrate the New Year in style. Adding Dave and Chrissy from the Explosion has really filled out their sound, but unfortunately the guitars were way too quiet in the North Star. I've always said that they needed two guitars, so I'm glad they finally do full time. They played all my favorites off of Keep Your Heart ("Player Hater Anthem," "Arsenic") and a handful of new songs (one of which can be downloaded here. They played with a ton of excitement, and Hause seemed super happy to be playing new songs in Philly. Since I recently got a new record player for Christmas, I picked up their LP and EP 10". Sweet. And Bill danced like a drunken snowman on a balance board all night. This whole show was fun as hell and a great way to start the new year.